Here's a post that I liked, over at The China Beat. Timothy Oakes builds on accusations that China is "faking" its way through modernization, the lip-syncing and video enhancements of the Olympics being the least of it. He didn't go there, but it reminded me of Homi Bhabha's discussion of mimicry. In any event, this paragraph from Oakes stood out:
accusing China of doing exactly what the dream of modernity demands of
its supplicants: a will to hide disorder with order, to keep at bay the
ever-present chaos of the world with a reliable façade of
predictableness, indeed an ability to hold out the threat of disorder
as reason enough to demand that people willingly play their roles in
maintaining harmony. The ‘paradise’ of order and harmony that modernity
promises, like all utopias, cannot but be realized without dissolving
the boundaries between the real and the fake, the sacred and profane,
the original and the virtual.
We are all fakers, in essence. Maybe that is what Chuang Tzu has been telling us all along:
We set out like ingenious machines declaring "yes this" and "no that." Or we hold fast like oath-bound warriors defending victory.
We can say that to fade away day by day is to die like autumn into winter. But we're drowning, and nothing we do can bring any of it back. We can say this drain is backed up in old age, full and content, but a mind near death cannot recover that autumn blaze.
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