Ian Buruma has a piece in yesterday’s Guardian: "Culture is no excuse for China denying its people democracy." It is short, so cannot delve very deeply into the various facets of this topic. But he does make some points that are worth thinking about:
Now it is true that countries have their own histories, peculiar
circumstances and cultures and that too much preaching can smack of the
old missionary zeal to assume that all the things we cherish at home
should be universally adopted. But culture, in the sense of custom and
tradition, is often nothing but an excuse for political arrangements.
Democrats from countries such as China, Pakistan or Burma do not accuse
the West of imposing its values. Only authoritarians do.
….
One reason why Taiwan is such a tricky problem for the Chinese
government is precisely its politics. If Chinese culture demands
authoritarian politics, or what Ambassador Wu would call ‘Chinese
democracy’, then what about Taiwan? Are the Taiwanese any less Chinese?
I generally agree with that first idea, that "culture," or the invocation of cultural uniqueness, is often simply an "excuse for political arrangements." To argue that China should not attempt free and fair national elections because of certain economic or social conditions (i.e. it is too poor or insufficiently educated, or some such) might be defensible (though I would not, myself, defend such propositions). But to argue that China should not attempt free and fair national elections because something called "Chinese culture" does not enable or permit it, is just sloppy thinking.
First of all, we have to recognize that "Chinese culture" is obviously a changeable, and now rapidly changing, formation. It is not now what it was in, say, 1800, nor 1900, nor, even, 1950.
In 1975, the notion of "Chinese rock and roll," for example, would have been preposterous. Rock and roll was a "Western" cultural product; "Chinese" people did not perform or practice it; the two were wholly separate and alien. Who today would defend such a position? It is simply an empirical fact, whatever our valuation of it, that rock and roll and been made into a Chinese cultural practice. Conservative Chinese commentators may not like that, they may complain about the debasement of Chinese youth and the temptations of "Western" culture. Ironically, American cultural conservatives have the same complaints as their conservative Chinese counterparts (notice how some now refer to John McCain as "Juan McCain" to disparage the cultural and political influences of Latin American on the US). But all them, in China and the US, are only denying a powerful fact of globalized (post)modern life: all cultures now are hybrid combinations of various elements drawn from many different sources.
It has been that way for longer than many might want to admit. Think of "Chinese culture" in the twentieth century. The May 4th reformers, those who argued that only a thorough embrace of science and democracy, which they understood as "Western" creations, could "save China," are they now to be seen as traitors who sold out traditional "Chinese culture"? Or how about Mao? Didn’t he rely on a "Western" ideology to create a revolutionary political movement. He wasn’t terribly keen on traditional notions of "Chinese culture," either. Indeed, we could argue that authoritarianism in China, in its modern guise at least, has been founded precisely on a rejection of "Chinese culture." How, then, can we say that "Chinese culture" is its cause?
I know, I know: "culture" is a big and interpretable category and there are ways in which "tradition" is authoritarian. Nonetheless, it seems to me that the burden of proof is on those who want to make the "culture denies democracy" argument. One of my commenters on another thread, the estimable Zoomzan, makes the opposite case.
Even the briefest consideration of "tradition" underscores Buruma’s point that "culture" is an "excuse for political arrangements." Read Han Fei Tzu’s critique of Confucius and you will notice two things. First, his utter disdain for the moralism and naivete of "The Master." And, second, his belief, pace Confucius, of the absolute need for clear laws and harsh punishments. Han distinguishes himself from Confucius and Confucians in these ways. He sees their avoidance of law and punishment as fundamental weaknesses and failures. Of course, when we read The Analects and Mencius, we see that Han is right: Confucians did not want to rely on law and punishment; they believed exemplary moral leadership would suffice to bring order and peace to the world.
The point is that before the Han dynasty, during which these very different views of the world were stitched together to make a state ideology, which view was "Chinese"? If both were, then "Chinese culture" encompasses politically contradictory elements. Or, we could say, that the Han synthesis was skewed more in the Legalist direction and, thus, distorted "Chinese culture" for its own political purposes. Or, we could also say, that "Chinese culture" has always been capacious and contradictory, holding elements that might promote democracy (think of Mencius) and elements that promote authoritarianism, so that no one particular political outcome is culturally determined (I like that interpretation best).
Bottom line: when we think about "Chinese culture" for more than five minutes we can see that it is not inevitably politically authoritarian. Democrats, as well as tyrants, can find support in its vast and rich contours.
Finally, the Taiwan point is also well taken by Buruma. I like the way he formulates it: if Chinese authoritarians want to say that Chinese culture makes democracy impossible or inappropriate for "Chinese" society, then they are implicitly suggesting that Taiwan is not really "Chinese," since its democracy is obviously well rooted and healthy and functional. And that is not at all what they want to say. But to contend that Taiwan is "Chinese" then opens the door to the opposite implication: that Chinese culture can develop in such a way as to support and nurture democracy. And would the authoritarians want to admit that Taiwan is a more mature Chinese society than the PRC? That Taiwan is the image of the PRC’s future?
It’s hard out there for an authoritarian. When they make facile culturalist arguments they open themselves up to democratic critique. They may just have to give it up and admit that it’s not really about culture at all, it’s just about politics and their desire to hold on to power.
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